What do you consider best practices for setting up paddle antennas for a diversity receiver? Spacing, placement, etc.?
Sent from my DROID RAZR HD
Sent from my DROID RAZR HD
What do you consider best practices for setting up paddle antennas for a diversity receiver? Spacing, placement, etc.?
Sent from my DROID RAZR HD
What do you consider best practices for setting up paddle antennas for a diversity receiver? Spacing, placement, etc.?
Ten feet apart as best practice, no less than two feet apart for UHF (approx. one wavelength) under any circumstances. Mounted as high as possible overhead to reduce the likelihood of 1st Fresnel zone obstructions along all line of sight signal paths.
Fully overlapping axial gain pattern coverage over the entire performance area.
Orienting them tilted 45 deg. off of vertical along their radiation axis, opposite of each other, can help to mitigate dropouts caused by polarization mismatch losses, but be mindful that this narrows their axial gain pattern in azimuth.
If you ever have a chance to hear Tim Vear from the Shure team speak, he does an INCREDIBLE training for RF.
Dave Missal from Sennheiser also offers great clinic presence.
Don't forget our pals Karl Winkler and Howard Kaufman from Lectrosonics, either, also extremely knowledgeable - and they advertise to support this forum!
All the above folks gave talks at the LAB get togethers here in MA that we did five or six years back, on multiple years, and were one of the highlights for me. These guys worked together even though they work for the three top competing brands in wireless and put together awesome presentations to educate attendees on fundamental but often ignored RF techniques.
I keep waffling as to if we should do another one of those shindigs. What do you say?
Bear in mind if you do this you will lose diversity, unless you are using a pair on each side of the stage.We often have do left and right sides of the stage
Bear in mind if you do this you will lose diversity, unless you are using a pair on each side of the stage.
Bear in mind if you do this you will lose diversity, unless you are using a pair on each side of the stage.
Only if the antennas are covering different performing areas.
Mac
It's more about having the most efficient system possible on both sides. As long as one of the two has sufficient signal strength and CNR at any point in time, diversity will function correctly.Clear this up for me, it is my understanding that to reap the greatest benefit from diversity the signal chain of the antennas must be the same. Same model of antenna, same gain setting, same cable length. I see a lot of installs and mobile setups that don't follow these guidelines....
It's more about having the most efficient system possible on both sides. As long as one of the two has sufficient signal strength and CNR at any point in time, diversity will function correctly.
For example, a viable arrangement could consist of a low gain antenna located very near the performer and a high gain antenna located far away. As long as both adequately cover the performance area, multipath dropouts on one antenna will likely not occur at the other simultaneously.
Thanks for the reply! I really appreciate it.
By "most efficient" what do you mean? What is a diversity receiver looking for? Highest gain? Highest SNR? A combo of gain and SNR? Wouldn't an extra 50ft of cable loss on matched antenna's potentially defeat the purpose of diversity by favoring the higher gain/better SNR antenna? Same for mismatched antennas? Is appropriately spaced matched antennas, gain, cable lengths the ideal setup or am I completely missing a core concept?
The receiver and diversity systems usually don't care which side has stronger signal, as long as the one that they're using at the moment is sufficient for normal function.
Shure's system used in a few of their analog wireless systems picks the antenna based on the ultrasonic SN of the demodulated audio signal. And, it actually blends the audio from both antenna's together if signal is sufficiently good from both.
Blends like mix it?
If path lengths from TX to RX antennes do differ to much I would assume to much difference in latency, so giving problems when mixed in analog audio domain.
I'm not the Jason you're looking for, but here's how I see it:
the weakest of the two antennas/signals still has to be functional across the whole area where the mic will be used (except for tiny nulls due to multipath interference)
It's no hit to performance if the receiver rides on the stronger antenna 99.9% of the time, as long as the 0.01% where it takes a hit the other antenna has a useable signal to fill the gap.
Since dropouts due to multipath are a factor of physical reflections and interference from other signals having a better antenna won't change much. Otherwise someone would have built THE killer antenna already.
Jason